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Massimo Bacigalupo
Massimo Bacigalupo (born 1947 in Rapallo, Italy) is an experimental filmmaker, scholar, and translator of poetry, an essayist and literary critic. He was a founding member of the Cooperative of Independent Filmmakers in Rome. As a filmmaker of the Italian Independent Cinema (Cinema Indipendente Italiano), he was influenced by the New American Cinema.
Bacigalupo is also a scholar, specializing in Ezra Pound, T. S. Eliot, Wallace Stevens, W. B. Yeats, and other American and English writers, whom he has edited and translated.〔Anthony David Moody, ''Ezra Pound: Poet. A Portrait of the Man & His Work: Vol. 1, The Young Genius, 1885-1920''. New York; Oxford (Oxford Univ.Press) 2007, p.487.〕〔Peter Makin,”Ideogram, ‘Right Naming’ and the Authoritarian Streak”, in: Zhaoming Qian (ed.), ''Ezra Pound and China'', Ann Arbor, Michigan, (Univ. of Michigan Press) 2003, pp.120-142.〕〔Alfredo Giuliani, “Per Confucio eia eia alala”, in: ''La Repubblica'', July 7, 1985,p.17. And Stefano Giovanardi who refers to the exhibition "Ezra Pound: un poeta a Rapallo," curated by Bacigalupo and lauds Bacigalupo’s integral translation of Pound’s ''Homage to Sextus Propertius''. See S.Giuliani, “Era un simpatico vecchio satiro” ((Pound) was a dear old satyr ), in: ''La Repubblica'', July 7, 1985, p.16.〕 Since 1990, he has been a Professor of American Literature at the University of Genoa.〔Cf. “Bacigalupo, Massimo Andrea”, in: ''Who’s Who in the World'', 10th ed., 1991-1992, ibidem.〕
==Biography==
Bacigalupo grew up in Rapallo, the son of Giuseppe Bacigalupo and Frieda Bacigalupo (née Natali).〔“Bacigalupo”, in: ''Who’s Who in the World'', 10th ed., 1991-1992, ibidem, p.49.〕 His parents’ house was a center of cultural life in Rapallo.〔“The history of post-war Rapallo is largely a history of the Bacigalupos. No writer who has lived in Rapallo has been able to resist the temptation to write about them.” This is what Geoffrey Bocca says, in: ''Realités'', Jan./Feb. 1981〕 Writers, poets and composers like Gerhard Hauptmann, Ezra Pound, and Isaiah Berlin met there.〔Bocca mentions such visitors as “Gerhart Hauptmann, Max Beerbohm, Ezra Pound, Rex Harrison, Isaiah Berlin, the Herberts of Portofino, Alberto Pescetto, Enrico Paulucci” and “the Gish sisters.” One of Massimo’s films would later be titled “Lilian” – a possible reference to Lillian Gish, and an homage both to her and to the director of ''Broken Blossoms.''〕〔Giuseppe Marcenaro, ''Una amica di Montale: vita di Lucia Rodocanachi,'' Milano (Camunia) 1991, p.140.〕
Giuseppe Bacigalupo was a friend of Pound.〔Marcello Ciccuto / Alexandra Zingone (eds.), I segni incrociati: Letteratura Italiana dell 900 e Arte Figurativa. Part 1.Viareggio; Lucca (M. Baroni) 1998 - ISBN 88-8209-066-3. - Riewald refers to Giuseppe Bacigalupo as “his Italian doctor”. Cf. J. G.Riewald, ''Max Beerbohm’s Mischievous Wit: A Literary Entertainment''. Assen NL (Van Gorcum) 2000, p.79.〕 Massimo Bacigalupo often encountered Ezra Pound as an adolescent and young man.〔Guy Davenport’s story titled ‘Ithaca,’ in: Guy Davenport, ''Da Vinci’s Bicycle. Ten Stories by Guy Davenport'', Baltimore (Johns Hopkins University Press) 1979, pp. 114ff. - published first in ''Arion'' (Boston), Vol.1, Issue 2, 1973.〕 Knowing Pound at a young age furthered his contacts and later literary exchange with Eva Hesse, Olga Rudge, with Pound’s daughter Mary De Rachewiltz (née Rudge), and others close to Pound.
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